Bishop's Coat of Arms

Embroidering a Bishop’s Coat of Arms

Another embroidery that I did this last week. This time at a friend’s request, it is a bishop’s coat of arms. This time I could start with a high-resolution image from Wikipedia.

Above you can see the original artwork, what the embroidery design program thinks it is going to turn out to be, and then the final stitched product.

A little work had to go in after the automatic digitization of the original design. It leaves a lot of holes in, for example, the green and yellow background, which can cause problems of too many tiny stitches or lack of alignment, so I filled those in. Some of the smaller details were probably not going to work, so I deleted some of them. I also spent a while reordering the objects, so they were stitched in a more sensible order, or otherwise, it spends all its time casting off and moving to another area.

Still not perfect; there is a gap between the green area and the black lines above and below it. One of those things I would forever notice, but others might ignore or not notice. I could allow more pull compensation to fix this – lots of stitches in one direction tend to pull the fabric in, even with a stabilizer behind it, so the object can be extended in that direction to counter. Or maybe try changing their direction a little to spread the pull more.

Will I do any of that? I don’t know yet. There might have been a brief discussion about a mitre.

Coat of Arms patch in use

Coat of Arms Patch on a Stunning Chasuble

The other day I showed off the Coat of Arms patch I had made. It was not the first time I had stitched this out. I did so previously and sent the result to a priest interested in using it.

So above is what he has done with it. He attached it to the bottom of a white Roman Chasuble. In this case, the priests here are celebrating a Mass for the Black Madonna’s solemnity just a few days ago on the 26th of August.

This vestment gives an example of what I want to achieve with the machine embroidery I am undertaking. I aim to have many vestments, and other liturgical items (like the Black Madonna Palls I shared) customised to the Pauline Fathers.

Coat of Arms patch completed

Making a New Coat of Arms Patch

This pattern of the Pauline Coat of Arms is one of the most complex embroidery designs I have created. At this size, the pattern needed over 90k stitches. In addition, it uses a lot of raised satin stitch, which means it does a lot of stitches over the top of each other to create a raised effect. I also used a lot of metallic thread for the embellishments around the edge.

You can also see I cut it out of what it was stitched onto. So the patch can be attached to something else later.